Hello, I’m Gian 👋🏻
I’m a London-based event curator, marketer, writer, a Japanophile, and the author of The Craftsman Newsletter.
Feeling More x Musubi Academy
Musubi Academy, a platform dedicated to exploring Japanese wisdom and its relevance to contemporary life, is the brainchild of Laurens van Aarle. We bonded through our shared appreciation of Japanese culture, and when the website launched in April 2024, he asked me if I would like to contribute an essay
Kamon, the original logos of Japan
Traditions are living entities. The Hatoba family enriches and evolves the role of the Monsho Uwaeshi, the artisans of Japanese family crests, ensuring that the thousand-year-old craft of mon making remains relevant in the 21st century. I come from an Italian family on my father’s side with a noble
Craftsmanship and Circularity Are One
When I’m asked about my interest in craftsmanship, especially that of Japan, I explain that at its core is the fact that circular principles are inherently baked in. Modern designers rightly focus on using sustainable materials, reducing waste, ensuring repairability, and promoting recycling. Japanese crafts go beyond this, intertwining
Fabrico, ergo intellego
Enzo Mari was passionately opposed to consumerism and criticised mediocre objects not made to last. He believed that to truly appreciate the value of an item—like a chair or sofa—consumers needed to learn how to make it with their own hands, gaining a deeper understanding of what goes
Newsletter Summer Special 2024
When I started The Craftsman Newsletter in 2017 it was about recommending craft-related objects and people I encountered through my frequent travels. In time it evolved into original long-form stories that went behind the scenes. When lockdowns hit in 2020 and my plans to go to Japan to do research
The genius of Raku Jikinyū
“He’s clearly a genius” one of the collectors in attendance at the exhibition told me a few weeks ago. However, the work of Raku Jikinyū was not always seen that way. Jikinyū rejects labels like ‘artist’, ‘artisan’ or ‘potter’ and would rather be called a chawanya, a maker of
Art without heroes: Mingei with Róisín Inglesby
On Friday 14 June 2024 I hosted an online session to dive into Japanese folk-craft culture. The William Morris Gallery in London is hosting the brilliant exhibition: ‘Art Without Heroes: Mingei’ (running until 22 September 2024), so I invited the curator, Róisín Inglesby, to discuss five of her favourite stories
A Tale Of Two Orin - Part 1
It's November 2023 and I’m in Takaoka, Toyama prefecture. There’s a sleepy atmosphere despite it being a Monday. The city is famous across Japan for its copperware and decorative lacquerware. It’s raining and I’m here to visit the workshop of Shimatani Yoshinori, a 4th-generation
Talking by making: pottery in the heart of Uji
Ceramics and tea culture are both close to my heart so when Hosai Matsubayashi XVI invited me to practise pottery at Asahiyaki it felt like a dream come true.
Talking by making: soba noodles in Tokyo
Akila Inouye runs the Tsukiji Soba Academy in Tokyo. A fan of molecular cuisine, his teaching method relies on getting to know the history of soba, grasping the underlying chemistry of its preparation and of course cooking and eating them in different ways.
Moving at human speed
You can tell that September was the busiest time at work when all I could manage to write about was putting tomatoes on handmade ceramic plates and sharing daily Instagram Stories about preparing matcha (抹茶, Japanese powdered green tea) in a proper teabowl using a bamboo whisk. Truth is, these
Tomatoes on Japanese ceramic plates taste better
Do tomatoes taste better when eaten from a nice Japanese ceramic plate? Objectively, no. But the experience of serving and eating the tomatoes does improve. That is because human experience is not limited just to the physical characteristics of the food but how we interact with it, from the sensorial
